WELL HUNG
TYPE: FASHION INSTALLATION
STATUS:  IN PROGRESS
VENUE: BERLIN / LOS ANGELES


Suspended from the ceiling, the rack is deployed as a device that recontextualizes the fashion-object to occupy the liminal space between sculpture and religious iconography. This device then acts as an accomplice in positing an equivalency between fashion, and other modes of cultural and spiritual expression.
In staging an elevated field of mannequins, the installation refuses the blandness of the typical display rack, while provoking the manner in which fashion is consumed.

Runway image:
Christian Dior, Fall 2000 Couture. Condé Nast Archive